Tuesday, July 28, 2009

PHOTO HIGHLIGHT

SHOOT: I sometimes feel like this
clipped from news.yahoo.com
An unidentified schoolchild wrestles with former sumo wrestler ...

An unidentified schoolchild wrestles with former sumo wrestler Taiichiro Tashima during a beach sumo promotional event in Tokyo, Japan, Thursday, July 23, 2009. Trade in that bikini for a loincloth. Japan's ancient sport sumo is hitting the beach this summer to promote sportsmanship and environmental awareness.

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Scarecrow Photography

SHOOT: Some interesting stuff.
clipped from deputy-dog.com
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How to know a good photographer from a bad one, and why not just have mom or a friend shoot some shots for you?

SHOOT: It's simple. Good photographer's are perfectionists, with an eye for detail, and a quick, sometimes impulsive, sometimes far sighted sense of vision. They will patiently explore a variety of options before finding their perfect picture. There is a process involved, and they have a natural (sometimes learned) sense of proportion, perspective, context, light and texture. If you're a perfectionist and you want good work, get a professional. You'll recognise a professional by their previous work, their fee and their style.

Wolf Kettler.co.uk: No self-respecting photographer wants to release photos that are anything but perfect. From a large number of photographs taken during a shoot, only a few will meet the demanding criteria a photographer should impose on himself (or herself). Many photos from a shoot are just not good enough for a variety of reasons - technically, compositionally, pose-wise.

I know of people who think that just because a photograph is in focus and correctly exposed, it is a good photograph. Bless 'em.

If you are offered a copy of everything, you are working with a photographer who does not take (or does not know how to take) pride in his or her work. Not a good idea!

Aspiring models often believe that it is really attractive to receive a large number of images immediately after the shoot. Think again! Only the very inexperienced or the extremely naïve assume that it is a seductive proposal by default. In a portfolio, you want quality, not quantity.

There are some pitfalls that you want to watch out for:

It is not in your interest to receive a copy of every photograph taken. The photographer should take the time to edit the photos and only give you a selection of the best. You do not have the expertise to select the right images from a large collection.

Digital or print, a good photograph requires work after it has been taken - and I don't mean digital trickery on a mediocre picture. If you are presented with a CD immediately after the shoot, the photographer has not had the time to do any post-production work on the images (or could not be bothered or did not know how to).

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Monday, July 27, 2009

Friday, July 17, 2009

Levi Leipheimer out of the Tour: PICTURES

SHOOT: Could make a grown man cry.
clipped from www.cyclingfans.com

2009 Tour de France: Levi Leipheimer (Astana) crosses the finish line in Stage 12, appearing to nurse his left side after a crash. Michael Rogers (Team Columbia-HTC) also went down.
Both riders reported via Twitter that they are "okay". Leipheimer: "I'm ok folks, wrist hurts but not broken, lost some skin" photo Copyright © 2009 Fotoreporter Sirotti/cyclingfans.com

clipped from twitpic.com

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Sunday, July 12, 2009

Preview of my next Exhibition


Touch of Rain, Mabua, Botswana.

Pair of Foraging Ground Squirrels
This is a large black and white landscape printed on canvas @ 1mX.75m [framed with weathered oregon pine] sells for just R1500. Unframed, mounted on canvas R750.

Golden Highway, south west Botswana

Hornbill Hideout

On the lookout

Thunderstorm over Accasia Karee, Botswana

Springbok at Mabua
This is a large landscape printed on canvas @ 1mX.75m [framed with dark wood and white peeling paint] sells for just R1500.

View from Misty Cliffs, Cape Peninsula.
This is a large landscape printed on canvas @ 1mX.75m [framed with dark wood and white peeling paint] sells for just R1500. Unframed R750. Smaller sizes can be ordered, these sell for between R250 and R500.

Red Leaf Pattern, Blue Sky.

Boulders, Cape Peninsula
This is a large black and white landscape printed on canvas @ 1mX.75m [oregon pine frame] sells for just R1500. Unframed R750. Smaller sizes can be ordered, these sell for between R250 and R500.

Kalk Bay Workhorse
This is a large landscape printed on canvas @ 1mX.75m [framed with dark wood and white peeling paint] sells for just R1500. Unframed R750. Smaller sizes can be ordered, these sell for between R250 and R500.

Harbour Life
This is a large landscape printed on canvas @ 1mX.75m [framed with dark wood and white peeling paint] sells for just R1500. Unframed R750. Smaller sizes can be ordered, these sell for between R250 and R500.

RAINBOW ROAD

Brief Background
I have a day job, thank goodness because some days on the craft market scene you sell absolutely nothing. Jealous of my brother's success as a professional fine artist [visit http://www.caseyvdleek.com/] and convinced I had oodles of natural talent carried down from great grandpa Tinus de Jongh, I thought selling my work would be a snip. It's damn hard work, lots of graft, lots of behind the scenes schlepp. The photography is the easy part.

I source my frames using teak and weathered oregon pine. I also use black classic frames for a more classy 'office'-type style. I can provide frames to order. Simply email me your preferred size and specifications and I'll provide you with a very reasonable quote. My frames retail for between R120 for small to R500 for bigger frames, depending on wood and other specifications.

The above picture is VIEW FROM MY BLACONY. It's a view over Johannesburg's morning mists, with Sandton's two towers just off centre. This is a large landscape printed on canvas @ 1mX.75m [framed with dark wood and white peeling paint] sells for just R1500. Unframed R750.


Above: FLAMING SKY OVER WINDMILL, framed R1500, unframed R800.

JEFFREY'S BAY RAINBOW - R350 [Unframed R200]

FOAM AT KLEINBRAK R1000 [UNFRAMED R500]

The two photographs above show the stark lines of Jeffrey's Bay under the graceful arc of a rainbow versus the 'earthy' interpretation. The oregon pine frame of FOAM AT KLEINBRAK gives a washed-up-driftwood feel to this salty seascape.

If you like these samples, browse my albums and become a fan of my work at Nick van der Leek PHOTOGRAPHY on facebook. I also shoot porfolios for facebook purposes and occasionally for magazines and newspapers. Email me to find out what's involved by click here.